Monday, October 31, 2011

A Traditional Samhain Ritual

Place upon the altar apples, pomegranates, pumpkins, squashes and other late autumn fruits. Autumn flowers such as marigolds and chrysanthemums are fine too. Write on a piece of paper an aspect of your life which you wish to be free of: anger, a baneful habit, misplaced feelings, disease. The cauldron or some similar tool must be present before the altar as well, on a trivet or some other heat-proof surface (if the legs aren’t long enough). A small, flat dish marked with an eight-spoked wheel symbol should also be there.

Prior to the ritual, sit quietly and think of friends and loved ones who have passed away. Do not despair. Know that they have gone on to greater things. Keep firmly in mind that the physical isn’t the absolute reality, and that souls never die.

Arrange the altar, light the candles and censer, and cast the Circle of Stones. Recite a Blessing Chant, and invoke the Goddess and God in any way that feels right to you.

Lift one of the pomegranates and, with your freshly-washed white-handled knife, pierce the skin of the fruit. Remove several seeds and place them on the wheel-marked dish. Raise your wand, face the altar and say:

On this night of Samhain I mark your passing,
O Sun King, through the sunset into the Land of the Young.
I mark also the passing of all who have gone before,
and all who will go after. O Gracious Goddess,
Eternal Mother, You who gives birth to the fallen,
teach me to know that in the time of the greatest
darkness there is the greatest light.

Taste the pomegranate seeds; burst them with your teeth and savour their, bittersweet flavour. Look down at the eight-spooked symbol on the plate; the wheel of the year, the cycle of the seasons, the end and beginning of all creation.

Light a fire within the cauldron (a candle is fine). Sit before it holding the piece of paper, gazing at its flames. Say:

Wise One of the Waning Moon,
Goddess of the starry night,
I create this fire within your cauldron
to transform that which is plaguing me.
May the energies be reversed:
From darkness, light!
From bane, good!
From death, birth!

Light the paper in the cauldron’s flame and drop it inside. As it burns, know that your ill diminishes, lessens and finally leaves you as it is consumed within the universal fires.

If you wish, you may attempt scrying or some other form of divination, for this is a perfect time to look into the past or future. Try to recall past lives too, if you will. But leave the dead in peace. Honour them with your memories but do not call them to you. Release any pain and sense of  loss you may feel into the cauldron’s flames.

Works of magic, if necessary, may follow. Celebrate the Simple Feast. The circle is released.

From SimpleMagick.com

Halloween Gypsy Love Divinations

To find, from a list of potential suitors, whom you are most likely to marry, on Halloween night take one crab apple to represent each suitor. Prick the initials of each candidate into the skin of the apple selected. Leave the apples undisturbed in a box for almost a year, until Old Michaelmas Day (Oct 11). The most perfectly formed initials reveal the answer.

Another (and much quicker) method is to take as many hazelnuts as you have prospective partners. Name each nut accordingly before placing them evenly in the front of the fire. The nut that pops the loudest and burns most brightly says it all.

From: The Good Spell Book

Halloween


by Robert Burns

Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the route is ta'en,
Beneath the moon's pale beams;
There, up the cove, to stray and rove,
Among the rocks and streams
To sport that night.
Among the bonny winding banks,
Where Doon rins, wimplin' clear,
Where Bruce ance ruled the martial ranks,
And shook his Carrick spear,
Some merry, friendly, country-folks,
Together did convene,
To burn their nits, and pou their stocks,
And haud their Halloween
Fu' blithe that night.
The lasses feat, and cleanly neat,
Mair braw than when they're fine;
Their faces blithe, fu' sweetly kythe,
Hearts leal, and warm, and kin';
The lads sae trig, wi' wooer-babs,
Weel knotted on their garten,
Some unco blate, and some wi' gabs,
Gar lasses' hearts gang startin'
Whiles fast at night.
Then, first and foremost, through the kail,
Their stocks maun a' be sought ance;
They steek their een, and graip and wale,
For muckle anes and straught anes.
Poor hav'rel Will fell aff the drift,
And wander'd through the bow-kail,
And pou't, for want o' better shift,
A runt was like a sow-tail,
Sae bow't that night.
Then, staught or crooked, yird or nane,
They roar and cry a' throu'ther;
The very wee things, todlin', rin,
Wi' stocks out owre their shouther;
And gif the custoc's sweet or sour.
Wi' joctelegs they taste them;
Syne cozily, aboon the door,
Wi cannie care, they've placed them
To lie that night.
The lasses staw frae 'mang them a'
To pou their stalks of corn:
But Rab slips out, and jinks about,
Behint the muckle thorn:
He grippet Nelly hard and fast;
Loud skirl'd a' the lasses;
But her tap-pickle maist was lost,
When kitlin' in the fause-house
Wi' him that night.
The auld guidwife's well-hoordit nits,
Are round and round divided,
And monie lads' and lasses' fates
Are there that night decided:
Some kindle coothie, side by side,
And burn thegither trimly;
Some start awa, wi' saucy pride,
And jump out-owre the chimlie
Fu' high that night.
Jean slips in twa wi' tentie ee;
Wha 'twas she wadna tell;
But this is Jock, and this is me,
She says in to hersel:
He bleezed owre her, and she owre him,
As they wad never mair part;
Till, fuff! he started up the lum,
And Jean had e'en a sair heart
To see't that night.
Poor Willie, wi' his bow-kail runt,
Was brunt wi' primsie Mallie;
And Mallie, nae doubt, took the drunt,
To be compared to Willie;
Mall's nit lap out wi' pridefu' fling,
And her ain fit it brunt it;
While Willie lap, and swore by jing,
'Twas just the way he wanted
To be that night.
Nell had the fause-house in her min',
She pits hersel and Rob in;
In loving bleeze they sweetly join,
Till white in ase they're sobbin';
Nell's heart was dancin' at the view,
She whisper'd Rob to leuk for't:
Rob, stowlins, prie'd her bonny mou',
Fu' cozie in the neuk for't,
Unseen that night.
But Merran sat behint their backs,
Her thoughts on Andrew Bell;
She lea'es them gashin' at their cracks,
And slips out by hersel:
She through the yard the nearest taks,
And to the kiln goes then,
And darklins graipit for the bauks,
And in the blue-clue throws then,
Right fear't that night.
And aye she win't, and aye she swat,
I wat she made nae jaukin',
Till something held within the pat,
Guid Lord! but she was quakin'!
But whether 'was the deil himsel,
Or whether 'twas a bauk-en',
Or whether it was Andrew Bell,
She didna wait on talkin'
To spier that night.
Wee Jennie to her grannie says,
"Will ye go wi' me, grannie?
I'll eat the apple at the glass
I gat frae Uncle Johnnie:"
She fuff't her pipe wi' sic a lunt,
In wrath she was sae vap'rin',
She notice't na, an aizle brunt
Her braw new worset apron
Out through that night.
"Ye little skelpie-limmer's face!
I daur you try sic sportin',
As seek the foul thief ony place,
For him to spae your fortune.
Nae doubt but ye may get a sight!
Great cause ye hae to fear it;
For mony a ane has gotten a fright,
And lived and died deleeret
On sic a night.
"Ae hairst afore the Sherramoor, --
I mind't as weel's yestreen,
I was a gilpey then, I'm sure
I wasna past fifteen;
The simmer had been cauld and wat,
And stuff was unco green;
And aye a rantin' kirn we gat,
And just on Halloween
It fell that night.
"Our stibble-rig was Rab M'Graen,
A clever sturdy fallow:
His son gat Eppie Sim wi' wean,
That lived in Achmacalla:
He gat hemp-seed, I mind it weel,
And he made unco light o't;
But mony a day was by himsel,
He was sae sairly frighted
That very night."
Then up gat fechtin' Jamie Fleck,
And he swore by his conscience,
That he could saw hemp-seed a peck;
For it was a' but nonsense.
The auld guidman raught down the pock,
And out a hanfu' gied him;
Syne bade him slip frae 'mang the folk,
Some time when nae ane see'd him,
And try't that night.
He marches through amang the stacks,
Though he was something sturtin;
The graip he for a harrow taks.
And haurls it at his curpin;
And every now and then he says,
"Hemp-seed, I saw thee,
And her that is to be my lass,
Come after me, and draw thee
As fast this night."
He whistled up Lord Lennox' march
To keep his courage cheery;
Although his hair began to arch,
He was say fley'd and eerie:
Till presently he hears a squeak,
And then a grane and gruntle;
He by his shouther gae a keek,
And tumbled wi' a wintle
Out-owre that night.
He roar'd a horrid murder-shout,
In dreadfu' desperation!
And young and auld came runnin' out
To hear the sad narration;
He swore 'twas hilchin Jean M'Craw,
Or crouchie Merran Humphie,
Till, stop! she trotted through them
And wha was it but grumphie
Asteer that night!
Meg fain wad to the barn hae gaen,
To win three wechts o' naething;
But for to meet the deil her lane,
She pat but little faith in:
She gies the herd a pickle nits,
And two red-cheekit apples,
To watch, while for the barn she sets,
In hopes to see Tam Kipples
That very nicht.
She turns the key wi cannie thraw,
And owre the threshold ventures;
But first on Sawnie gies a ca'
Syne bauldly in she enters:
A ratton rattled up the wa',
And she cried, Lord, preserve her!
And ran through midden-hole and a',
And pray'd wi' zeal and fervour,
Fu' fast that night;
They hoy't out Will wi' sair advice;
They hecht him some fine braw ane;
It chanced the stack he faddom'd thrice
Was timmer-propt for thrawin';
He taks a swirlie, auld moss-oak,
For some black grousome carlin;
And loot a winze, and drew a stroke,
Till skin in blypes cam haurlin'
Aff's nieves that night.
A wanton widow Leezie was,
As canty as a kittlin;
But, och! that night amang the shaws,
She got a fearfu' settlin'!
She through the whins, and by the cairn,
And owre the hill gaed scrievin,
Whare three lairds' lands met at a burn
To dip her left sark-sleeve in,
Was bent that night.
Whyles owre a linn the burnie plays,
As through the glen it wimpl't;
Whyles round a rocky scaur it strays;
Whyles in a wiel it dimpl't;
Whyles glitter'd to the nightly rays,
Wi' bickering, dancing dazzle;
Whyles cookit underneath the braes,
Below the spreading hazel,
Unseen that night.
Among the brackens, on the brae,
Between her and the moon,
The deil, or else an outler quey,
Gat up and gae a croon:
Poor Leezie's heart maist lap the hool!
Near lav'rock-height she jumpit;
but mist a fit, and in the pool
Out-owre the lugs she plumpit,
Wi' a plunge that night.
In order, on the clean hearth-stane,
The luggies three are ranged,
And every time great care is ta'en',
To see them duly changed:
Auld Uncle John, wha wedlock joys
Sin' Mar's year did desire,
Because he gat the toom dish thrice,
He heaved them on the fire
In wrath that night.
Wi' merry sangs, and friendly cracks,
I wat they didna weary;
And unco tales, and funny jokes,
Their sports were cheap and cheery;
Till butter'd so'ns, wi' fragrant lunt,
Set a' their gabs a-steerin';
Syne, wi' a social glass o' strunt,
They parted aff careerin'
Fu' blythe that night.

Friday, October 28, 2011

Reed Lore


Each month of the Celtic Lunar calendar bears the name of a tree. Reed is the 12th Moon of the Celtic Year - (Oct 28 - Nov 24). The Celtic meaning of the reed within the Ogham deals with:

  • Purpose
  • Protection
  • Purification
  • Clarification
  • Communication



Today we may not consider the reed a tree, but in the time of the ancient Celts their landscape held prolific reeds in swamp areas; some growing up to 20 feet tall.

The druids viewed any large plant like this with a woody stalk to be a tree, and the reed was considered very important.

All things of the natural world were honored by the Celts, and all things represented the connection with life. In this way, the reed was highly revered for its usefulness in the day-to-day practices of the Celts.

The reed was used for many purposes by the Celts. Specifically, they would weave reeds together to make thatched roofs on their homes – some of which (when properly constructed) last up to a decade or more. This is where the reed obtains its symbolism of protection. It is also a natural insulator, and the Celts honored it highly during cold, wet months.

Reed gives off a faint sweet smell when macerated, and so the Celts were known to lay out pressed reeds as flooring in their homes to deodorize. This was also a practice for cleansing and purifying homes.

Reeds also made good candles, and were viewed as beacons of light during the dark nights. This is another facet of the reed’s purposefulness in the life of the Celts.

The reed gets its symbolism of communication from several sources. In the hands of a good craftsman (and there were many among the ancient Celts), a reed would make a fine whistle, flute or recorder. These were highly prized amongst the people, particularly bards. Through these flutes and music the spiritually-minded Celts would communicate fantastic worlds of vision, heroism, and beauty.

Secondly, if you are still enough, you can hear them sing a song when the wind blows through a field of reeds. If you’ve ever had the pleasure of hearing it, you know it is an eerie experience. The Celts viewed this as an otherworld voice, and considered it a message of powerful importance.

Take the time to incorporate these symbolic meanings of the reed in your life. Gather some up and bring them into the house to open up the energy and clear the air. Or, try fashioning a flute from a reed and take it to your next drum circle to play! Your Celtic ancestors will get such a kick out of that!

Source: What's Your Sign

Elm Tree Lore

Each month of the Celtic Lunar calendar bears the name of a tree. Reed is the 12th Moon of the Celtic Year - (Oct 28 - Nov 24). There does seem to be a lack of agreement about what the tree is for the Reed month - according to this particular source, in Britain, the Reed Tree is the dwarf elm, and an immature Elm tree may be used in place of the Reed Tree. Other opinions are that the Reed Tree refers to actual Reeds (as in grasses) or, alternatively, Scottish Broom.


  • Latin name: American Elm - ulmus americana; European Elm - ulmus procera; slippery Elm - ulmus fulva.
  • Celtic name: Negetal (pronounced: nyettle).
  • Folk or Common names: In Britain where the Reed tree is the dwarf elm, it is called the Water-Elder, Whitten, or rose Petal. Since I use the immature Elm tree in place of the Reed tree, the Elm is usually known as Elm, and sometimes Piss-Elm (due to the smell it makes while being burned as a green wood).
  • Parts Used: Bark, leaves, wood.
Herbal usage:

The Elm has many medicinal uses. Slippery Elm bark can be powdered and made into a milk for babied that can't tolerate cow's milk. In fact slippery Elm bark is good for many purposes. In tea it can ease insomnia and sooth an upset tummy. It is also useful for enemas and makes good poultice material. This type of poultice can be used on wounds, infections, ulcers, burns, and poison ivy.

Magical History and Associations:

The birds associated with the month of Reed are the owl and goose, the color is grass green, and the gemstone is clear green jasper. Symbols of this Celtic month are The White Hound, The Stone, the Planet Pluto (Pwyll), The Fire Feast of Samhain Dis, Pwyll, and Arawn. Identified with the submerged or hidden dryad, The Month of Reed represents the mysteries of death. In fact the Fire Feast of Samhain celebrates the dead and on Samhain, the boundary between the Otherworld and this world dissolve. It is a night of great divination. Or in another fashion, it represents the hidden roots to all life.

The Month of Reed is associated with being both a savior and custodian. Pwyll, the Celtic ruler of the Otherworld was given "The Stone" , one of four treasures given to him for safekeeping. The Stone represents the right of the kings and queen to have divine power. Thus the Reed is also the symbol of Royalty. The White Hounds represent the dogs that guard the lunar mysteries. The Elm tree is a tree of Saturn and is associated with the element of earth. It is sacred to Odin, Hoenin and Lodr. The elm is also associated with the day of Tuesday.

Magickal usage:

The month of Elm / Reed is a good month for using music in magick, especially music made by bagpipes and flutes, and also for doing divination. Elm is sometimes said to symbolize the dark side of the psyche and so can be used in psychic workings. The Elm is commonly known as "the elf friend". If you desire to have contact with wood elves, pick a grove of Elm trees and sit under them and sing. Around about dawn, the elves will have gotten over their initial shyness and come out to join in the singing.

Elm trees are also thought to provide a channel for the communication with divas. To get an Elm tree to help you in this quest, offerings can be brought to a favorite tree and left. The best offerings are wine, mead, tobacco, coins and sage.

Tiny twigs of Elm can be worn in a bag around a child's neck as a charm to produce eloquent speech in later life. Elm wood may be bound with a yellow cord and burned to prevent gossip. The Elm represents primordial female powers and therefore the Elm is a tree with great protective qualities. The wood from the Elm can be made into talismans and charms that can be worn for protection. The Elm also has the qualities of regeneration, boldness and fidelity, and so added to its protective qualities, it is excellent when given as a good luck token to departing friends.

Using Elm is spellwork adds stability to the spell. According to Edain McCoy in her article: Willow for love, Oak for strength, a tea can be made for the month of Reed that includes a pinch of slippery Elm:

REED MOON TEA - Fertility, love, protection.
  • 1 part red clover
  • 1 part hyssop
  • 1 part boneset
  • pinch of slippery elm
**Note: Please be very, VERY careful when taking this teas! These are powerful herbs, meant to be used by more or less experienced herbalists and witches. Boneset is toxic in large doses or if taken over long period of time. To use, put in a tea ball and steep for 5 or 6 minutes.

Recommended Reading:
Source: Dutchie.org

Sunday, October 23, 2011

Sign of the Chrysanthemum

"My mysteries are forever unfolding."


If you were born between October 23 and November 21, you were born under the sign of the Chrysanthemum. You have many layers to you, and just as soon as someone thinks they have you identified, you pop out with another blossom of surprises. You like clarity and honesty in all things. In fact, when situations are murky or unhealthy you are the perfect sign to come in and clear the air or heal the situation. You are focused and tend to be serious in your emotions, but you are very intuitive and help others identify areas they need to work on for their own emotional growth. You are active and amorous with no end to suitors.

Source: What's Your Sign

Sun in Scorpio


The Sun is in Scorpio from approximately October 23 to November 21, depending on the year.

Symbol: The Scorpion
Ruler: Pluto, Mars
Element: Water
Modality: Fixed
Season: Fall
Zodiac Placement: 8th Sign
Metal: Steel, Iron
Stone: Topaz, Opal
Color: Gold, Purple
Flowers: Chrysanthemum; Pansy
Anatomy: Genital organs, bladder, bowels

Keywords: passionate, perceptive, resourceful, possessive, psychological, prowling, determined, probing, fixed, focused.

Scorpios are known for their intensity. They are determined folk that absolutely throw themselves into whatever they do -- but getting them to commit to something is rarely an easy task. In fact, it's better not to even try to "get them" to do anything. Solar Scorpios absolutely have their own mind. And, their primary motivation is unlikely to be prestige (like their Capricorn friends), or even authority (Leos can have that, too)--it's real power. Their power can absolutely be of the "behind the scenes" variety, just as long as they have it.

To others, Scorpios seem to have plenty of willpower. They probably do. Scorpios do know what they want, and they won't go out and grab it at the wrong moment. They simply sit back, watch (quite expertly), and then get it only when the moment is just right. This apparent patience is simply their powerful skills at strategy at work.

Scorpio isn't afraid of getting their hands (their bodies, their minds) dirty. The darker side of life intrigues them, and they're always ready to investigate.

Scorpios simply never give up. They have tremendous staying power. They're not in the slightest intimidated by anybody or anything. Confrontations are not a problem. In fact, talk to any Scorpio about their lives, and you'll probably be in awe at all they've gone through. Trauma seems to follow them wherever they go. When Scorpio learns optimism, instead of expecting the worst, they'll find that they possess amazing regenerative powers -- the power to heal, create, and transform.

Source: Cafe Astrology

Saturday, October 01, 2011

October Magick

Let me be a bloodhound in your pack, Lord Herne,
racing toward a horizon that recedes
with each swift step we take toward it.
Let me burn with your dark fire.
Let me serve you with my fearless deeds.



Following the pattern started in September, October gets its name from octo, meaning eight, as it is the eighth month on the old calendar system. Throughout the month, festivals for the dead increase with the waning light, and late harvest festivals continue. The latter often include propitiation to ensure that the Goddess's abundance will keep people whole through harsh or barren times.

Magical efforts accentuated by October's characteristics include clearing away old, unnecessary things or habits so that our mind, body, and spirit are prepared for winter. Any spells for memory, especially commemorating loved ones, are apt. Beyond this, metaphysical efforts for health, luck, and debt paying seem common, ensuring that winter, the season of rest and death, will come and go with the least negative effect.

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